Nicolai Howalt was born in Copenhagen and graduated from Denmark’s Photographic Art School Fatamorgana in 1992. Nicolai Howalt’s work has documentary references, operating at the intersection of conceptual photography and installation.
Nicolai Howalt has had solo exhibitions at Esbjerg, unstmuseum; Bruce Silverstein Gallery, New York; Martin Asbæk Gallery, Copenhagen and Center for Fotografi, Stockholm among others. He has also exhibited at Statens Museum for Kunst, ARoS and Skagens Museum in Denmark, and in Korea, China, USA, Germany, Lithuania, Poland, France, Finland, England, Hungary and Turkey.
In 2001 Nicolai Howalt published the book 3x1 with Gyldendal Publishers. Boxer was published in 2003 by ArtPeople. He has received a series of grants from the Hasselblad Foundation, The Danish Ministry of Culture, The Danish Arts Foundation and The Danish Arts Council.
Nicolai Howalt is represented in numerous public collections, including The Israel Museum, Jerusalem; MUSAC, Spain, Maison Européenne de Photographie, France, The Museum of Fine Arts Houston, USA, La Casa Encendida, Spain, Fondation Neuflize Vie, France, Art Foundation Majorca, Spain, Hiscox Art Project, USA. And in Denmark, The National Museum of Photography, The Danish Arts Foundation, Skagen Museum, Nykredit and Museet for Fotokunst, Brandts.
Nicolai Howalt also has a long-term collaboration with the Danish artist Trine Søndergaard. They have published books including How To Hunt, with ArtPeople in 2005 and Hatje Cantz in 2010, and TreeZone with Hassla Books in 2009, and exhibited together in Sweden, Germany, Spain, France, Canada, Finland, USA, China and Korea. Their collaborative works have received awards including the Special Jury Prize at Paris Photo 2006 and The Niels Wessel Bagge’s Foundation for the Arts Award in 2008.
Nicolai Howalt is a member of Kunstnersamfundet and The Danish Association of Visual Artists.
He is represented by Martin Asbæk Gallery in Copenhagen and Bruce Silverstein Gallery in New York.
His work is very abstract in its execution and at the same time draws in the observer to really study what is in front of them. I like his work as it makes you really study the piece to extract your own assumptions on the image.